My dear friend,
I think I’ve already told you that I like albums, that I try to think in terms of albums. Still, no shame in getting stuck sometimes in single tracks. This weeks, for instance, I got really stuck in three quite long tracks, for no particular reasons, but that they are very good and well meant.
The first one is a funeral doom song, taken btw from an excellent funeral doom album: it’s the opening track, Leeloo, of Trapped Within Burning Machinery’s second album, The Fifth Element, which I think completely deserves your darkest attention. It has almost everything that is needed: the mandatory lenght, just under 15’; the slow chanting introduction; the mighty riff – well, really mighty, able to support almost ten minutes of repetitions and variations; the screams, the despair & the glide towards the low end; the epic feeling; the crescendo into diminuendo ending. It may seem that I’m talking about an average f-d track: definitely not! Because everything is put together with a lot of sense & sensibility. You can easily restart it how many times you want – and that riff is really made of stone.
The second one is a huge slab of drone/doom, signed by Claw, a powerful trio of gentlemen from Atlanta, Georgia. It’s called Rise. Feast, and it’s a 18’ track published as a single. Built upon a very little sonic cell, deeply explored and exploited, it’s a beautiful exercise in obstinacy, which you know I like a lot. It’s a dark string meditation, slowly descending like a spiral towards a black subterranean lake of resounding nothingness.
And then we have the seventh one-track ep from the quite mysterious, and prolific (I urge you to explore everything), New England one-man-band Monument of Urns: Broken. A 20’ dark pit of sludge/drone/doom, with no windows, no air, no light. What is there to like here, you may ask. Don’t ask, just drown in the sound, in the raw, rough & restless sound that seems to gush from some kind of being trapped down below.
Yours heavily, mp